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@ | Monday, Nov 16, 1981 | 9 minutes read | Update at Monday, Nov 16, 1981



Movies Detail of Trágala, perro (1981)

✓ Title : Trágala, perro
✓ Release Date : November 16th, 1981
✓ Genre : Drama
✓ Runtime : 95 minutes
✓ Directors : Antonio Artero, Sinesio Isla, Rafael Moleón, Carlos Astiarraga
✓ Writers : Antonio Artero, Antonio Artero
✓ Company : Nicolás Astiarraga
✓ Country : Spain
✓ Cast : Tina Sáinz, Lola Gaos, Emiliano Redondo, Coral Pellicer, Amparo Muñoz, Antonio Gamero, Fernando Rey, Luis Ciges, Cecilia Roth, Luis Suárez

Synopsis of Trágala, perro (1981)

Sister Patrocinio is a nun who is stigmatized by Christ in her hands and feet. Although some believe in this mystical fact, others suspect of manipulation and take it to the court of justice.




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Trágala, perro Synopsis Complet - Fantastic or non-realistic fiction that crosses conventional genre boundaries between science fiction/fantasy and mainstream literary fiction. The term slipstream was coined by cyberpunk author Bruce Sterling in an article originally published in SF Eye #5, July 1981. He wrote: "...this is a kind of writing which simply makes you feel very strange; the way that living in the 20th century makes you feel, if you are a person of a certain sensibility." Slipstream fiction has consequently been referred to as "the fiction of strangeness," which is as clear a definition as any others in wide use.

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Trágala, perro Pelicula Filtrada Completa - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.

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