Movies Detail of Improper Channels (1981)
✓ Title : Improper Channels
✓ Release Date : April 17th, 1981
✓ Genre : Comedy
✓ Runtime : 92 minutes
✓ Director : Eric Till
✓ Writers : Adam Arkin, Morrie Ruvinsky, Ian Sutherland
✓ Companies : Paragon Motion Pictures, Canadian Film Development Corporation (CFDC)
✓ Country : Canada
✓ Cast : Mariette Hartley, Monica Parker, Sarah Stevens, Joyce Gordon, Harry Ditson, Martin Yan, Alan Arkin, Tony Rosato
✓ Release Date : April 17th, 1981
✓ Genre : Comedy
✓ Runtime : 92 minutes
✓ Director : Eric Till
✓ Writers : Adam Arkin, Morrie Ruvinsky, Ian Sutherland
✓ Companies : Paragon Motion Pictures, Canadian Film Development Corporation (CFDC)
✓ Country : Canada
✓ Cast : Mariette Hartley, Monica Parker, Sarah Stevens, Joyce Gordon, Harry Ditson, Martin Yan, Alan Arkin, Tony Rosato
Synopsis of Improper Channels (1981)
A father brings a young child to an emergency room to get treatment for a minor injury occurring in an innocent accident, but he gets accused of child abuse. Child welfare agencies commit grossly unfair over-reactions to remove the child forcibly from the Father (Arkin), who must brave the arcane system to reclaim his daughter.
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Well, Improper Channels (1981) is good movie with a talanted cast and top level director. The Improper Channels (1981) itselft directed by Eric Till and Starring by Mariette Hartley, Monica Parker, Sarah Stevens, Joyce Gordon, Harry Ditson, Martin Yan, Alan Arkin, Tony Rosato which made Improper Channels (1981) enjoyable to watch and spending your time alone or with family and friends.
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◈ Improper Channels Full Movie Online Video - tends to deal with womens roles in society. It poses questions about social issues such as how society constructs gender roles, the role reproduction plays in defining gender and the unequal political, economic and personal power of men and women. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
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