Movies Detail of Slap the Monster on Page One (1972)
✓ Title : Slap the Monster on Page One
✓ Original Title : Sbatti il mostro in prima pagina
✓ Release Date : October 19th, 1972
✓ Genres : Drama, Thriller
✓ Runtime : 90 minutes
✓ Directors : Marco Bellocchio, Antonio Gabrielli
✓ Writers : Sergio Donati, Goffredo Fofi
✓ Companies : Labrador Films, Jupiter Generale Cinematografica, UTI Produzioni Associate
✓ Countries : France, Italy
✓ Cast : Carla Tatò, Gian Maria Volonté, Michel Bardinet, Laura Betti, Enrico DiMarco, Fabio Garriba, Jacques Herlin, John Steiner, Silvia Kramar, Jean Rougeul
✓ Original Title : Sbatti il mostro in prima pagina
✓ Release Date : October 19th, 1972
✓ Genres : Drama, Thriller
✓ Runtime : 90 minutes
✓ Directors : Marco Bellocchio, Antonio Gabrielli
✓ Writers : Sergio Donati, Goffredo Fofi
✓ Companies : Labrador Films, Jupiter Generale Cinematografica, UTI Produzioni Associate
✓ Countries : France, Italy
✓ Cast : Carla Tatò, Gian Maria Volonté, Michel Bardinet, Laura Betti, Enrico DiMarco, Fabio Garriba, Jacques Herlin, John Steiner, Silvia Kramar, Jean Rougeul
Synopsis of Slap the Monster on Page One (1972)
1972, Milano. We are just a few days before the general elections. The daughter of a well-known professor is found dead. Mr Bizanti, and Mr Montelli, editor-in-chief and owner of newspaper Il Giornale try to derail the official police investigation in order to help the fascist candidates they support in the upcoming elections.
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◈ Plot Of Movie Slap the Monster on Page One - The closely related/overlapping surreal genre is predicated on deliberate violations of causality, producing events and behaviours that are obviously illogical. Constructions of surreal humour tend to involve bizarre juxtapositions, non-sequiturs, irrational or absurd situations and expressions of nonsense.
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◈ Slap the Monster on Page One Completa Español Gratis - This term has occasionally referred to a subgenre of speculative fiction that is similar to steampunk, but deviates in its technology. As with steampunk, it portrays advanced technology based on pre-modern designs, but rather than the steam power of the Industrial Age, the technology used is based on springs, clockwork and similar. Clockpunk is based very intensively on the works of Leonardo da Vinci and as such, it is typically set during the Renaissance. It is regarded as being a type of steampunk.
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◈ Slap the Monster on Page One La Pelicula Mas Taquillera De La Historia - concerned with the end of civilization either through nuclear war, plague, or some other general disaster. Post-apocalyptic fiction is set in a world or civilization after such a disaster. The time frame may be immediately after the catastrophe, focusing on the travails or psychology of survivors, or considerably later, often including the theme that the existence of pre-catastrophe civilization has been forgotten (or mythologized). Post-apocalyptic stories often take place in an agrarian, non-technological future world, or a world where only scattered elements of technology remain. There is a considerable degree of blurring between this form of science fiction and fiction that deals with false utopias or dystopic societies.
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◈ Slap the Monster on Page One Film Prima - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
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